Pencil on cartridge paper
Category: illustration
GRACE SLICK
Computer art – Grace Slick out of Jefferson Airplane. Hand traced photo, Illustrator
WREN
Keeping the shapes simple seemed to work best
PSYCHEDELIC DREAMS
Who needs acid!
A Marlborough Terrace
Pictograms
This is part of an exploration of pictograms. I used cut paper to create these.
PRINT MAKING at Morley College
This design based on a flower stamen was developed from a photo image taken with a macro lens and drawn in pen and ink. The idea was inspired by Georgia O’Keeffe.
I used a zinc plate, polished and degreased with a chalk and citric acid mix to enable a hard ground to be layed then ‘smoked’ which would allow for crisp line mark-making with a stylus.
The plate was then etched using nitric acid for 6 mins (20:1)
The ground and any stop was then cleaned off with paraffin, and the plate was inked up using a traditional, oil based ink, Paper was prepared by soaking for 5mins and blotting (paper on cheek test!), and stored under plastic sheet until ready for printing.
The plate was then placed on the bed of the printer on a sheet of tissue to protect the blankets from absorbtion of excess ‘size’ squeezed out from the paper during the print process; it also to protects the expensive blankets from any ink marks. The prepared paper is then carefully positioned on top of the inked plate and another sheet of tissue is layed on top of paper. The blankets are carefully placed on top of the assembly of tissue, plate, paper and tissue and the roller is turned to emboss the intaglio print into the dampened paper.
The resultant print
Note: finger prints at the top of the plate. The plate is highly vulnerable during the process and must be handled with care. I also noticed scratching across the image – this could be due to other plates coming into contact in the draw whilst in storage. I will cover plates with card and elastic bands next time. Other faults include ‘bands’ down the left and right hand sides – this was due to stop-out used to protect the edges during ‘smoking’ of the plate. I will paint much thinner lines on each side next time – if at all.
Braintree Windows
These are screen print designs based on actual windows in and around Braintree and Bocking, Essex.
Straw bale
Sat at the side of a field on a glorious evening with golden light and sketched this
RAYNE ARTS FESTIVAL
Three posters created for Rayne Arts Festival – I was a founding member of the team. Great memories and brilliant music and comedy. Happy times!
I wanted to capture the style of the 30’s With the architecture of the rail station and the fashion of the times.
The event at Rayne Station, a disused building where the lines had been taken up as part of ‘Beeching’s axe’ of the railways in the 60’s, ran for a few years between 2011-2013.
We wanted to give a platform for young and local talent. We had singers, bands, folk bands, art, comedy – a real family treat – all in aid of developing talent and donating to ‘The Friends of Flitch Way’.
MUSHROOM HOUSE
I love drawing these . . .
GRANDCHILD MEETS CAT
Grandchild meets Mika the cat for the first time. A magical moment captured. I created this using a photoshop filter.
SUNDOWN-FLYERS
POSTER-SPIRAL CIRCUIT
Created this for a local Braintree band
MY DAUGHTERS BEDROOM
Painted this back in 1990 and it’s still there!
WOODCUT
Used plywood to create this woodcut print
RUBY THE COOL CAT
I really like this grunge effect – created on the iPhone
MODERNIST DESIGN
Created this in paper and card for background to an album cover.
BLEACH ON INK
Used bleach to create interesting textures and highlight effects
FLITCH WAY, Essex
Used Photoshop to create this image. Love the movement.
CITYSCAPE
Used a polystyrene base from a pizza to create this image. Scratch lines show up well when inked up with a brayer.
The original plate:
BUTTON ART
TYPOGRAPHY II
MICROSCOPE
Many layers in Illustrator to create this one!
SOUTHBANK, LONDON
Can’t remember what app I used to create this from a photo but I’m really pleased with the final image.
HERRIE
Meet Herrie, the Airedale. He’s a big dog and full of character. Next time I’ll suggest the outline rather than draw it. I’m pleased with it though – well I loved drawing it and that’s the main thing!
HEYBRIDGE BASIN
Etchings using zinc plate of one of my favourite places in Essex. I used cotton buds to lift the cloud effects.
Equine beauty
EVERYDAY OBJECTS
I used Derwent Pastel pencils to create this image of a pair of scissors.
TEXTURE
CORNISH HOUSE
WINDOW PANE
Two new Zentangles
Uni-ball Signo on black card
Bocking House
Bocking near Braintree, Essex: a place full of character and history.
CHEQURED PAST
Tissue and card spray mounted on paper. I love the texture and physical feel of theses two pieces.
Stacked
Ink on envelope
SENSUALITY
Ink on lined paper
Old man, timeless heart
Pen on envelope
PEBBLE
Used a the natural shape of a pebble found on the beach in Devon. Used the veins of quartz as the cells to fill in.
Nature’s gallery
TEAMING WITH LIFE
Ink on lined paper
TANGLED DOODLE
13 Street TV Ident
TYPOGRAPHY
Exploring positive/ negative space and form.
Card on paper